HIGH VALUE TARGETS | INSTALLATION VIEW | PATRICK MIKHAIL GALLERY

HIGH VALUE TARGETS | INSTALLATION VIEW | PATRICK MIKHAIL GALLERY

HIGH VALUE TARGETS | INSTALLATION VIEW | PATRICK MIKHAIL GALLERY

HIGH VALUE TARGETS | INSTALLATION VIEW | PATRICK MIKHAIL GALLERY

HIGH VALUE TARGETS | INSTALLATION VIEW | PATRICK MIKHAIL GALLERY

HIGH VALUE TARGETS

CHERYL PAGUREK

January 8 – February 17, 2010

PATRICK MIKHAIL GALLERY presents HIGH VALUE TARGETS, a new multi-media exhibition by artist CHERYL PAGUREK

CHERYL PAGUREK
HIGH VALUE TARGETS

Artist Reception:
Friday, January 8, 2010
5:30 p.m. to 9 p.m.

Artist Talk
Sunday, January 17, 2010
2 p.m.

PATRICK MIKHAIL GALLERY is pleased to present HIGH VALUE TARGETS, a new multi-media solo exhibition by Ottawa artist CHERYL PAGUREK. The installation—which features new photo-based works and video—explores ideas of creation and destruction, security and vulnerability, hope and fear, public and private realms, control and surveillance, and opens up a space to contemplate the myriad ways in which we might feel under siege in today’s world.

High Value Targets has been conceived, and unfolds, in two separate but closely related components. Growing Pains is a looping, dual-channel video exploration of simultaneous micro and macro perspectives combining the opposite extremes of Ms. Pagurek’s intimate recordings of a season of gardening, with contemporary military tracking footage from the United States war with Iraq. From the discovery of tender sprouts emerging from the snow, to the taming of wild growth and the handling of the adverse effects of pests, weather and encroaching weeds, cultivating a garden is portrayed as an act of optimism and hope, an attempt to balance chaos and order on a small, domestic scale. Set against this endeavor in the private realm, the aerial and night vision war footage of “engagement” with military targets infiltrates our consciousness with a pervasive sense of dread and threat of large-scale public destruction. An additional layer of dialogue suggests a negotiation between private and public worlds, as we hear a family navigating the children’s increased independence, their ventures away from the safety of home and their increasing exploration of the world at large on their own. “Growing pains” refers to the challenges and struggles of growth at different levels, including the parental attempt to both protect and let go. A shared concern for control and surveillance plays out across all the layers of the work, from the military to the garden to the familial.

The High Value Targets print series further explores the tensions and concerns of the video work within a diptych format that abuts grainy military video stills with high-resolution photographs from the garden. Similar strategies used in the video to both contrast and connect the opposing sources of imagery are again engaged in the prints, including the use of both low and high camera angles, as well as the overlaying of military navigational data, viewfinder target markings, and black censor bars onto the garden, indicating surveillance. Each diptych is subtitled with a short statement or command from the military personnel in the video.

Cheryl Pagurek’s work has been shown extensively across Canada and the United States, including exhibits at the Woman Made Gallery in Chicago, Carleton University Art Gallery, Ottawa’s City Hall Art Gallery, the Ottawa Art Gallery, SAW Gallery, Gallery 44, Vu Centre de diffusion et de production de la photographie, Eastern Edge, Floating Gallery, and the Agnes Etherington Art Centre. In Fall 2009, her light box and video works Reflection and Flow were featured in an exhibition at Maison de la culture du Plateau-Mont-Royal as part of Le Mois de la Photo à Montréal. She was also a featured artist in INVISIBLE CITIES a 2008 Toronto International Art Fair Special Project organized by international curator Micaela Giovannotti. In August 2010, Ms. Pagurek appears in the exhibition Losing It, at Halifax’s Mount Saint Vincent University Art Gallery.

Her work has recently appeared in projects and reviews in Prefix Photo magazine and CV Photo, and can be found in numerous collections including the Canada Council Art Bank, Foreign Affairs and International Trade, the Library of the National Gallery of Canada, the Ottawa Art Gallery, and the City of Ottawa. In 2005, she was a finalist for the Karsh Award for photo-based work. Cheryl Pagurek has a Bachelor of Fine Arts from Queen’s University in Kingston, Ontario, and a Masters of Fine Arts from the University of Victoria in British Columbia.
The artist gratefully acknowledges the support of the City of Ottawa and the Ontario Arts Council in the production and presentation of this body of work.

IN OTHER GALLERY NEWS...

We are pleased to announce representation of Ottawa-area painter Andrew Morrow. Mr. Morrow recently completed a Masters of Fine Arts degree at the University of Ottawa. In addition to a Bachelor of Fine Arts from Queen’s University, he holds degrees from the Ontario College of Art and Design, and the Toronto School of Art. His work has been featured in the Globe and Mail, Canadian Art magazine, and Vie des Arts magazine. He was a finalist in the 2004 RBC Canadian Painting Competition and is the recipient of the University of Ottawa’s 2009 Michel Goulet Award for Excellence in a Master of Fine Arts Thesis.

Opening next at PATRICK MIKHAIL GALLERY...STOM-ACHE by Russian- born artist Olga Chagaoutdinova from March 10 to April 10, 2010. Ms. Chagaoutdinova presents two new videos and a series of photographic works that depict her in disturbing scenes in which themes of tragedy, suffering, and fatality are explored. The artist searches for the pain that settles deep in the stomache—pain that might have been felt by older members of her family while living in a tormented pre-Glasnost Soviet Union, yet remains genetically imprinted within her generations later. Chagaoutdinova steps into self- representation, giving viewers a glimpse of her vulnerability, further exploring the feminist aspects of her art practice. Ms. Chagaoutdinova holds a Masters of Fine Arts degree from Montreal's Concordia University, and a degree from Vancouver's Emily Carr Institute of Art and Design.

For more information:

PATRICK MIKHAIL GALLERY
2401 Bank Street
Ottawa Canada K1V 8R9
Tel. 613.746.0690
TF: 1.800.388.3298
E-mail: gallery@patrickmikhailgallery.com
Web: www.patrickmikhailgallery.com